Monte Legnone is near the right bank of the north-east part of Lake Como, opposite Dongo on the left bank. The meaning of “Isle des de let” is unknown. 

This is one of two versions of this composition (the other being FT317), both of which are from the Barton Place collection, numbered BP53 and BP54. It is uncertain whether this work or FT317 is BP53, but Oppé’s descriptions of BP53 and BP54 make it more likely that FT315 is BP54 and FT317 is BP53. Although BP53 is numbered 23, as is FT315, Oppé’s note of it reads “outline erased cloud & hills”, which does not fit well with FT315, as its outline is not erased. By contrast, his description of BP54, “full outline thro’out. A very close copy [of BP53]”,¹ seems more consistent with the drawing here. Furthermore, FT315 is on a larger sheet of paper than others in the small series, which suggests the copy rather than the original, especially as Towne had not used up all the sheets of the sketchbook by 27 August 1781. If FT315 is indeed a copy, it raises the question of whether Towne made the drawing in Switzerland or at a later date. No doubt this is the “fascsimile drawing, by Towne, of one of the first series with the inscription reproduced on the back”, noted in Oppé’s article.² It is one of a small number of examples where Towne is known to have made a second version of a drawing other than as a commission (see also FT046, FT397a).